Tag: fantasy

Science Fiction in the local countryside!

Hawkesbury Upton Literary Festival (HULF) was held in St Mary’s church at Hawkesbury Upton yesterday. Hawkesbury Upton is a village not far from here hidden in the rolling hills with quintessential country lanes and obligatory pot holes. One surprise was that the church is the burial place of one of our British Prime Ministers. About seventy people were there from all flightpaths of the universe.

The theme was the ‘Sense of Place’, when we were taken from ancient history, through modern history and modern times, on into the future. Naturally, my main interest was in the future aspects. Stephen Oram gave a very interesting talk about how place can shape the future we live in. Of course he mentioned that anthology (All Tomorrow’s Futures: Fictions That Disrupt) along the way. What I found particularly interesting is the fact that he is actively helping researchers investigate science issues by getting science fiction writers to interact with scientists – the writers add to the debate of the issues that ought to be covered when investigating various topics. I expect some interesting results to come out of his current ones in due course.

Another Bristol-based science fiction author, Tim Kindberg, who wrote the science fiction horror, Vampires of Avonmouth was also mentioned. Both from the point of view how place was important to his novel and the fact he contributed to that anthology mentioned above.

Mark Rutherford entertained us with a lovely science fiction story that had the audience absolutely enthralled. He calls himself a performance writer, which means he writes stories to deliver in performance on stage.

So far, so normal and what can be expected from such literary festival. The strange event (well, you don’t expect me to go anywhere new without something out of the ordinary happening do you?) happened at lunch time. I’d arranged to let them provide me with lunch (as I was too lazy to faff about getting it ready in advance) and ended up sitting opposite another science fiction writer. He has a self-published series of novels for the younger readers. He told me a lovely story how he had found a young artist to illustrate his book cover. She then went on to use that cover as part of her portfolio and is now studying at Plymouth University as a consequence.

This all goes to show that there is a very much a hidden interest in science fiction even in the oddest of corners in this country.

It is even more interesting that the science fiction writers I met do not follow the accepted themes that you can buy in the book stores and the like. It is as if there is an immense underground of science fiction talent bubbling and seething away waiting to burst onto the universe’s stage.

Beyond Writing a Science Fiction Novel…

Some nice things can happen when you’ve got a contact with a publisher to have your cherished novel published for the multiverse to enjoy. As you already know, my second novel, A Truth Beyond Full, is under contract to be published by Elsewhen Press. It’s likely to be out later this year in the autumn.

When I first received the contract to be signed, there was to me this strange clause about Elsewhen wishing to promote the sale of ancillary rights to my novel – audio, braille, film, TV serialisation etc. My reaction? Given the experience of so many authors I know, I went ‘yeah, right, in a month of Sundays’. It is one of those clauses I never expected to be invoked, but it would not do me any harm. So I signed the contract.

Roll on a few months… Elsewhen Press had an exciting announcement. They had signed a retainer contract with a company called Pendragon Works. They will examine the list of books Elsewhen Press have or are publishing with a view to seeing what their potential is for selling film or TV series rights. Once they choose a novel that is likely to sell, Pendragon Works will pull together a pack to send round the film and TV companies.

Roll on to last night…. Elsewhen Press kindly set up a zoom meeting with Troy and Omar at Pendragon Works so they could help us understand what they are trying to do. Of course I did my ‘sit in the corner and observe and listen closely’ act.

Some interesting snippets came out of the comments…. like doing a film of a horror novel is more likely than doing one for the other speculative genres because the designing and building the sets is likely to be much cheaper. … Getting a novel into film or TV series sounds very much like a buyers’ market to me in that it’s good to have an intro pack ready in case your type of novel is asked for. … Have an elevator pitch or log line to hand about your novel, just in case you find yourself being unexpectedly asked for it. There was more, much more, but all a good introduction.

One thing I found heartening from the zoom meeting was Pendragon Works saying that they were impressed by the standard and variety of novels Elsewhen Press had on offer. It makes me feel very privileged to have had a novel accepted by them.

As to whether they’ll take A Truth Beyond Full on to promote to the film industry? Let’s just say from what Pendragon Works said, the odds are currently very much against it given its contents. All I’m going to say about that is what is already on the Elsewhen Press’s website:

A Truth Beyond Full is set in a mining colony on Miranda, one of the moons of Uranus. It will be published by Elsewhen Press in 2024.

A World of Science Fictional Connections

Yippee! Have a new short science fiction story published today on 365tomorrows – Web Worldyou can read it here. Enjoy!

I had safely returned from EasterCon 2024 at Telford yesterday. A weird thing happened on the way back… I got onto the train at Telford, suitcases and all. Another gentleman got on and sat on the seats immediately in front of me. He had long hair tied back in a pony tail – one half left a natural grey and the other half what I would call purple (though hairdressers and similar specialists might call it something else). Over the tannoy came the announcement from the conductor that the trains to Euston Station in London were still suffering problems at Milton Keynes – they had solved the main problem, but had discovered two further minor problems that needed dealing with. The people in the carriage burst out laughing. Said gentleman got up to get off at Wolverhampton as advised to catch the London train from there. We all gave him our sympathy. Then he said he had only been in Telford over the weekend. Of course I had to ask whether he had been to the science fiction convention. He had! He went onto say he wasn’t too worried about what time he got into London as his flight home to San Francisco was not until today! End result was we agreed we would meet up at WorldCon in Glasgow later this year, much to the amusement of other passengers. Yes, this can only happen to people in the science fiction community because we’re so… well, we’re so us!

Talking of EasterCon – I will be writing a report of the event, but subject to editorial approval, it will appear over on SFCrowsnest in due course. I was on three panels and I hope those of you who were there or who viewed them on catch-up (access only given to those who are members of EasterCon) enjoyed what I had to say.

My thanks go to several people. Roy Gray for selling copies of my debut novel, Edge of Existence, from his Interzone / Black Static table. Ben Greenaway, Stephan Oram and Eva Pascoe, for selling copies of my novella The Martian Wind, from the Cybersalon Press table, and to giving me such a wonderful time at the book launch of their All Tomorrows Futures, Fictions That Disrupt on Saturday evening.

As for sales of All Tomorrows Futures, Fictions That Disrupt – they seem to be going great guns. (UK Amazon link here.) It is in its own way yesteryear’s Analog magazine of today – a serious ground-breaking upgrade if you will.

2023 – An SF Year I’ll Never Forget!

The Winter Solstice will soon be upon us, which means it’s that time of the year to summarise what happened on the science fiction front for me. The spectacular news was I got my debut novel published in July, courtesy of TWB Press – Edge of Existence – starring that lovable bumbling robo-cat, C.A.T.! He’s been purring away quietly ever since, and if you listen hard to your computer, you might even hear him! UK Amazon link here.

End of October finally saw the publication of the Femmes Fae-Tales anthology, which is the follow-on fantasy of the science fiction Distaff anthology published way back in 2019! What a saga it has been to get it published with things like Covid destroying our best intentions to get it out much, much earlier. Of course, I’m not a fantasy writer (though a few people I’ve talked to think otherwise). The best I could do was a crossover SF-fantasy short story, A Fooling Time. But thanks to efforts by a lot of ladies it is now in the wild. UK Amazon Link Here.

The biggest surprise for me goes to being a Finalist in The Writers of the Future contest. Joni Labaqui rang me up from the States on the 4th July to tell me the good news. Needless to say when the realisation eventually dawned I was reduced to near speechlessness – an extremely rare event for me. I now have the certificate framed in the appropriate red – yes the story concerned is set on Mars!

The final piece of writerly news is that I have signed a contract with Elsewhen Press for them to publish my second novel A Truth Beyond Full next year. It is set in a mining colony on Miranda, one of the moons of Uranus, and that’s all I’m going to say about it for now. But yes, there is one heck of saga behind it getting written.

On the convention front, I only attended BristolCon in October this year and stayed mainly in the background. The exception was they kindly let me launch Edge of Existence among other novels – thank you BristolCon organisers.

I have of course continued to review science fiction novels for SFCrowsnest. The standout novel of those I did was John Scalzi’s Starter Villain. Well, it involved intelligent cats and it was hilarious.

So that’s a wrap for this year. Next year? That’ll be the subject of another post.

And suddenly there a draft of drafts…

What do these all have in common?

  1. Hodderscape August 2015
  2. HarperVoyager Impulse November 2015
  3. Angry Robot December 2015 – January 2016
  4. Gollancz January 2016

Yep… they are all open calls for science fiction novels by unagented authors.

Why the sudden rush?

Well although Hodderscape was only open for two weeks in August they had 1455 novels, including unfinished novels. Yet a few years back HarperVoyager had something around 4500 novels, but they had to be complete. That’s a drop to about a third, and if you take the different entry conditions, by more than a third in effect.

Did these publishing houses suddenly realise that there is now a lack of science fiction novels to be had? I wouldn’t have thought so. Angry Robot had an open submission window about every 18 months. So they’re no to blame for this bulge in open windows.

Gollancz recently stopped taking unagented submissions and this is their first window since then. So they are suffering a change of work practice. Even so, when you put their timing alongside the others, you would think it’s more than a coincidence.

HarperVoyager specifically said they are looking for military science fiction and urban fantasy. The others are all more general science fiction and fantasy calls. So a sub-genre coming into vogue is not the reason for the bulge.

My best guess is that they’re coming to the last of the backlog of novels to be published and are looking to replenish in-hand stocks or they think there’s going to be better market conditions for selling science fiction in a year or two.

Good luck to anyone that submits to any of these markets.

Science Fiction Trick or Treat

Tis the season to be morbid and gruesome… and I needed to look no further than Gardner Dozois’s ‘Best New SF’ series, well at least the ones I could easily lay my paws on.

In that venerable and ancient year of 1998, there were 242 new science fiction novels published. Last year produced 305. Hoorah! What a treat! The number has gone up by 26%.

In that venerable and ancient year of 1998, there were 233 new fantasy novels published, about the same number as science fiction novels give or take. Last year produced 660, and increase of 183%. What a nasty trick to play on you, leading you up the garden path like that! Oh horror of horrors… talking of horror…

In that ancient and venerable year of 1998, there were 110 new horror novels published. Oh that is a treat, over twice as many science fiction novels were published. Last year produced 229 horror novels, an increase of 108%. Oh what another nasty little trick to play on you!

What we have here is that both fantasy and horror have increased their new novel numbers since 1998 at a far greater rate than science fiction. Instead of having one new fantasy novel for every science fiction novel, we now have nearly three fantasy novels. Instead of having round about two science fiction novels for every horror novel, we are now getting less than three science fiction novels for every two horror stories. In fact there have been a couple of intervening years when new horror novels have outnumbered science fiction novels as the graph below shows.

Could new science fiction novels failing to keep pace with new novels in the sister genres be something to do with the idea that science fiction is dying that has been doing the rounds these past few years?

Oh doom and gloom….

 

Bath Literature Festival 2012 – Speculative Fiction Writers’ Surgery

I am rather pleased that the science fiction surgery has now turned into a speculative fiction surgery. I will be joined by three fellow Bath Spa MA Creative Writing students – Emma Geen, Phoebe Wood-Wheelhouse and Sophie McGovern. Between us we cover fantasy, horror and science fiction. All of them have done some wonderful writing and it is worth getting tips from any one of them.

When: March 6th, 6pm until 730pm

Where: Roscoff Deli, Bath

Whilst I never dreamed I would end up being part of a writers’ surgery, I feel this is my way of saying thank you to all those who helped me with my writing.